Art as Environmental Leadership: Stacy Levy to receive the Meigs award

By Christina Catanese, Director of Environmental Art

Rain Yard

Every year, the Schuylkill Center gives the Henry Meigs Environmental Leadership Award to a deserving environmental professional for leaving a meaningful and lasting impact on their community and our region, and embodying a spirit of leadership, integrity, and vision.

In twelve years, we’ve never given this honor to an environmental artistbut that changes this year. On November 7th, Stacy Levy will be presented the Meigs award for her pioneering work joining the worlds of art and science throughout her career of creating compelling artwork, both site-specific and gallery-based.

In Levy’s words, she “use[s] art as a vehicle for translating the patterns and processes of the natural world.” Today, creating novel modes of revealing natural systems and solving ecological challenges have become critical, and artists have an important role to play in connecting people with nature. Levy is among the preeminent environmental artists working today, and is unmatched in the elegance with which her work reveals ecological processes that otherwise may go unnoticed.

She has broken new ground in working not just in but with the environment. Along with showing how nature works, Levy has created many projects that solve environmental issues in a place. For an example of this, we need look no further than out the back door of our Visitor Center, where we can experience Rain Yard, Levy’s 2013 artwork which manages stormwater runoff from our roof. Operating in this intersection, Levy has a spirit of collaboration and uncanny ability to galvanize community members and specialists across disciplines.

After being presented the award, Levy will be joined by a panel for a discussion on the intersection of art, science, and the environment particularly through the lens of water. Then, we’ll celebrate the opening of a new installation by Levy in our gallery with a reception.

We recognize that environmental leadership can take many forms, and in this year’s Meigs award, look forward to celebrating how artists can shine as environmental leaders.

 

 

Bodies of Water: Dance at the Schuylkill Center

By Christina Catanese

 

This weekend, the Schuylkill Center will be presenting Remembering Water’s Way by Dance Exchange, the first site-specific dance event that the Center has commissioned in over a decade.

Dance Exchange is a DC-area arts organization that has been one of the Schuylkill Center’s LandLab artists in residence over the past year.  The goal of the LandLab residency is for artists to engage audiences in the processes of ecological stewardship through scientific investigation and artistic creation. So we tasked these performers to also create art-based installations that prevent or remediate environmental damage, and it’s exciting to see how they have responded to the challenge.

Dance Exchange’s work engaging individuals and communities in dancemaking and creative practices is driven by these four questions:

Who gets to dance? Where is the dance happening? What is the dancing about? Why does it matter?

When Dance Exchange was selected for this residency, I was excited to discover what the answers to these questions might be in the context of our work connecting people with nature.

The culmination of Dance Exchange’s research and artmaking will take place on October 13th and 14th with animated hikes through our grounds that follow the story of water. Exploring ponds, streams, erosion-prevention efforts, and impacts from recent storm events, these hour-long experiences will weave together performance, installation, science engagements, and more. Think guided nature walk punctuated by performed dance in the landscape, with led opportunities to interpret information (both scientific and sensory) into your own body and in collaboration with others.

One of Dance Exchange’s core beliefs is that anybody can and should dance, which is why the dancers not only perform for the audience, but get everyone moving. (Even those who claim to have two left feet.) The artists guide us through ways to embody the scientific concepts that we’re learning about. They also value intergenerational exchangeso all ages are welcome! This walk will give people across generations the opportunity to gain a deeper understanding ofand connection totheir local environment and community. Through this immersive experience, participants will activate their senses and observation skills through an artistic and ecological approach to discovery. Activities are designed to move participants along a path of recognition, appreciation, and stewardship of the environment. There will even be ways in which the performers will contribute to our land restoration work through the performance.

The title, Remembering Water’s Way, comes from a recognition that the land has a memory of how water has flowed through it, and an acknowledgement of how we can reconsider our relationship to the land to be guided by water rather than trying to fight it. Over the course of the walk, many stories of water will be explored (locally on the Schuylkill Center’s grounds as well as in the context of our regional watershed), including the impact of recent rains and ever-more intense storms that our region has experienced this summer.

As a dancer and choreographer myself, I’m excited by how we can use our bodies in nature to reframe and activate a site. By positioning human bodies in the landscape and experiencing it with all senses, perhaps we can start to see and feel ourselves as slightly more connected to nature, rather than separate.

So, my answers to the Dance Exchange questions so far are 1) everyone; 2) anywhere; 3) information from many realms outside of dance; and 4) because it helps bring us closer to that content, and to each other. But you may have your own answers (and more questions) after experiencing their work.

Please join us for Remembering Water’s Way this weekend. The walk will be offered four times over the course of the weekend, at 11am and 2pm on both Saturday, October 13 and Sunday, October 14. The guided walk will descend some elevation; good walking shoes are recommended. Keep an eye on the Schuylkill Center’s website and social media for any weather-related changes.

Andorra’s Lance Butler grows mightly mussels

mike's mussel story

 

While Roxborough is famously home to numerous civil servants, especially cops and firemen, Andorra’s Lance Butler has among the most unusual city jobs.

He’s growing mussels. Thousands of mussels. To place back into the Schuylkill and Delaware rivers. And it’s surprisingly important work.

A senior scientist in Philadelphia Water’s Office of Watersheds, Lance was staring into a microscope last Thursday afternoon, measuring and assessing the health of baby mussels no larger than a grain of sand. He was sitting in a laboratory, what he calls “a living breathing laboratory,” tucked into the back of the Fairmount Water Works, Philly Water’s great museum of the city’s water history housed in the iconic building below the Art Museum. The lab doubles as the Mussel Hatchery, an exhibit in the Water Works where you can visit to learn about mussels too — and sometimes see Lance working.

The unassuming white plastic buckets that surrounded him on shelves, with a spaghetti tangle of clear plastic hoses running into and out of them, held thousands of baby mussels in various stages of their life cycles. Freshwater mussels are bivalves, two-shelled mollusks like clams and oysters, cousins of the marine versions you eat in marinara. Lance says these creatures are “bio-sentinels, the canaries in the river’s coal mine,” as they crave fresh, clean water, but have no ability to escape a pollution event — they can’t pick up and move away. If pollution strikes a river, mussels are doomed.

Consequently, over 70 percent of the world’s 700 mussel species are at risk of extinction, and freshwater mussels are among the most endangered American animals. Many were extirpated — made locally extinct — in the Delaware River basin, hence Lance’s project. But why does this matter? And why is the city spending money on this?

“Mussels have a huge impact on water quality,” Lance told me while unscrewing a jar containing baby yellow lamp mussels. As mussels anchor themselves in a river’s bottom and filter algae out of the water, “one mussel filters 10 to 20 gallons of water a day. With a million mussels in a river, that’s 20 million gallons of water. They remove nutrients, they remove solids, making the water more clear, and they remove harmful things like E. coli and other bacteria.”

Water is cleaner and safer for us because of the work of mussels.

That’s the key to why the city is investing in this. In addition to restoring to our rivers the plants and animals that belong there, Lance says, “mussels save money. If our water is cleaner going into our intake pipes, cleaning the water is easier and cheaper for the Water Department.” So spending money here saves money elsewhere.

And if you love to fish in the Schuylkill, you’ll especially love mussels. He says mussels practice “terraforming,” changing their habitat. “With mussels filtering the water, its clarity improves. Light can shine deeper into the water, so there is more submerged vegetation. And the plants hold sediment down, making better habitat for fish.” So the more mussels we have, the better the river is for fish (and fishing).

He also opened a larger lamp mussel for me, showing me a dark section inside the small soft body of what is a mother mussel. The dark spot was actually thousands of glochidia, larval mussels, hiding inside the mother. These larvae don’t have the bivalve shells and look like completely different organisms — but they are what hatches from mussel eggs. When the glochidia are ready for the next phase, some mama mussels have lures that attract the correct host fish over, and the female “spits” the glochidia at the fish, the larvae attaching themselves to the gills of the fish, “snapping like Pacman onto its gills.” And the larval mussels go for a ride.

“This is how they disperse themselves throughout a habitat,” he told me. “The fish are their Uber ride upriver.”

When ready, the glochidia transform again into small mussels and drop to the river bottom — where some species might live for as many as 100 years!

So the Mussel Hatchery also includes fish like yellow perch, the unwitting host in this extraordinary project. This week, Butler and other project scientists from the Partnership for the Delaware Estuary and the Academy of Natural Sciences will be discussing what happens to the 15,000 baby mussels now stored in holding ponds at several locations in the region, all products of this process. Ultimately, they will begin releasing mussels back into the wild. And hope they take.

Lance is also senior scientist in the long-awaited restoration of the Manayunk Canal, a project which is moving ahead and “should go out to bid next year. The canal will turn into a beautiful amenity for the community.” One of the project’s goals is to get water flowing back into and out of the canal again, to reconnect it to the river from which it has been severed. And mussels will definitely be a part of the picture.

Philly Water maintains a website, “The Mighty Mussel,” to learn more about this project (mightymussel.com), and for school teachers intrigued by this, mussels can visit your classroom as well, and your school can help bring mussels back to our rivers.

Visit the Mussel Hatchery soon, and perhaps you’ll see Roxborough’s own Lance Butler performing his critical work, bringing mighty mussels back to Philadelphia rivers.

Mike Weilbacher directs the Schuylkill Center for Environmental Education in Upper Roxborough, tweets @SCEEMike, and can be reached at mike@schuylkillcenter.org This blog was originally published in the Montgomery News September 5.

NATURAL SELECTIONS: Art in the Open: Selections from 2018 at the Schuylkill Center

By Christina Catanese

A mysterious, vine-woven figure recently appeared behind the Schuylkill Center’s Visitor Center building. Though lacking facial features or limbs per se, it feels human-ish and appears to gaze over the hill into the forest.

This sculpture, created by Brooklyn-based artist Anki King, was the first piece from our fall exhibition to be installed this summer. King harvested vines from the Schuylkill Center property while they were still growing strong in the height of the August growing season for maximum benefit to the ecosystem as well as pliability.

Over the next few weeks, nine more artists will install their work in our environmental art gallery before the show officially opens on Sept. 13. Their work spans a diverse range of practices and materials – along with this vine sculpture, there will be on display wet plate collodion photography, weavings from discarded textiles, ceramic tiles with embroidery details, drawings, polaroids, cyanotypes, printed monotypes and more.

What these works have in common is that all of the artists were 2018 participants in Art in the Open, a public art program in which selected artists create their work on Philadelphia’s Schuylkill Banks for three days. We are pleased to be offering these artists the opportunity to adapt their work to our spaces, continuing our partnership with this citywide program for the third time.

Akin to King, Sivan Ilan utilized unconventional materials in her work, challenging their typical perception as waste or undesirable materials. A master’s student in textile design at Philadelphia University, she created large woven panels made exclusively from scrap fabric found in the university’s studios.

Mia Rosenthal and Christopher Wood present different kinds of drawings which shed light on how a place participates in the drawings themselves.

Rosenthal created detailed ink drawings of items that she found on the ground on the River Trail, as well as in her neighborhood playground. These meticulous portraits of local detritus reveal something about the character of their place.

Wood, in addition to continuing his Daydrawing series (in which he has completed a new powdered graphite drawing each day since Jan. 1, 2016), experimented with ways that the environment could participate in the drawings. He left paper with graphite in various locations on the trail, sometimes weighted with different objects, and allowed the weather and place to shape the material.

Looming large in the room will be a place-specific sculpture transplanted into the gallery by Matt Greco and Chris Esposito. This team participated in Art in the Open for the third time together this year and created an aggrandized form of a bollard – those posts used to secure a ship to a dock with ropes, a ubiquitous element from the Schuylkill River’s shipping history. Blowing this often overlooked object up to a size that cannot be ignored forces reflection on how this industrial legacy may still be felt today.

These works and more draw inspiration from place in a variety of ways, and the particular location of Art in the Open, between the Schuylkill River and the deeply urban built environment of Center City Philadelphia, offers an opportunity for artists to comment on and complicate the relationship between people and nature. Transplanting these works to the Schuylkill Center site, which also borders the River Trail about 10 miles north of the Art in the Open site, gives us a chance to consider these relationships from yet another angle.

Please join us to meet the artists at the opening reception of Art in the Open: Selections from 2018 on Sept. 13 at 6 p.m. Enjoy artist talks, light refreshments in the gallery and a short walk to the outdoor installation. Art in the Open: Selections from 2018 will be on view through Oct. 27.

Christina Catanese directs the Schuylkill Center’s environmental art program, tweets @SchuylkillArt. This blog was originally published in the Montgomery News August 29.

Into The Woods

Into The Woods

By Ben Vlam

I spent this summer serving as a Fellow for the Alliance of Watershed Education, representing The Schuylkill Center for Environmental Education. I’ve been coming to the Schuylkill Center for camp since I was six years old, and I worked here as a CIT/Aftercare Counselor for five summers.

What made this experience so different, other than the actual content of the work, was my awareness and appreciation of what the Schuylkill Center offers. I realized how alive and harmonious this place is and it definitely kept me on my toes, whether I was be sawing through dead trees to move them off the trails, tracking down camp groups for photos, or designing a interpretive signage.

There are a few things I can attribute to the success of The Schuylkill Center. First of all, the staff play a crucial role. This is a place where people really care about each other and the work they’re doing. People were invested in my work and I was invested in other people’s work. You make memories here that last a lifetime.

Another important aspect is the property itself. I walked these trails quite a bit while I was planning, writing about, and filming videos of a watershed loop. I found myself taking breaks just to sit at the ponds and listen for different kinds of animals. When I recorded my videos, (check them out here) I just placed the camera down and let it record. I didn’t need to look for specific things because so much was going on around me. Frogs hopping, dragonflies buzzing in and out of the shot, pollinators stopping at flowers.

The last thing that really clicked for me this summer is how all the trails are really connected. Despite me being sort of a lifer, this is the first summer where I really learned these trails like the back of my hand. Knowing the twists and turns, I’ve realized how much of they eventually feed into each other, like tributaries. I found myself at peace and relaxed.

I guess my big takeaway this summer was really to be thankful for everything you have and to try and live without regrets. I’m incredibly thankful for the Schuylkill Center for existing, my co-workers who are now friends, and for the opportunities during this fellowship to teach, laugh, sweat, and most importantly, learn.

I guess my only regret is that this didn’t last longer.

 

 

Watershed Fellow writes Eco-Drama as Summer Project

As a fellow for the Alliance for Watershed Education at the Schuylkill Center, work has felt more like an adventure. Every day I experience something new. From planting trees to picking wineberries, this summer gave me the opportunity to explore my passion for the environment. I got the chance to combine some of my favorite subjects: art, nature, theater, and education. I gained a wealth of knowledge as I supervised campers and taught them what I had learned. I employed my artistic skills as I tracked groups on trails, photographing their expeditions. I also aided Kate Farquhar and laura c carlson in installing their works of art. From helping these creatives, I was exposed to new insights that showed me the distinct overlap between the arts and the environment. The theater that I experienced was a product of my own desire to fuse drama and nature for my Watershed capstone project.

My project began as a survey of the area surrounding the Schuylkill Center. I went online and in-person to find and persuade people to take my survey. The findings illustrated the demographics of the area as well as individual sentiments about nature and diversity. No one had a negative association with either word and the respondents saw both as necessary. I used this information along with my own abilities to inform the second half of my capstone project. While surveying, I began to create a play about watershed education. It is called How the River Flows: an Eco-Drama and is part of an entire packet that seeks to teach and encourage people to put on this performance about nature. This packet will be available at the request of local schools so that they will be able to put on a contemporary play without being charged for the rights. This will promote watershed education in an affordable way that is relatable to people who do not see themselves as environmentalists.

From my two and a half months at the Schuylkill Center, I have learned lessons that will stick with me for the rest of my life.

  • Art is everywhere. It is not just on paper; it surrounds us.
  • Creativity is sometimes the best tool that you can use. It can come in handy when you least expect it.
  • Being practical does not limit your scope of the world. The effectiveness of pragmatism is beautiful because it allows for efficiency

I want to say thank you to the Schuylkill Center for Environmental Education for gifting me with this valuable knowledge that I will carry on into my future.

 

Ingenious Experiments / Creeping Sogginess

By Kate Farquhar

As a participant in this summer’s Wet Lab exhibit, I received access to the space and tools I needed to start creating a trio of sculptures as part of my LandLab residency this year. Coming into the Schuylkill Center’s gallery space gave me my first chance to connect directly with an audience and gather my materials in one place. As a gesture of inclusion, I wanted to offer something enticing for people to test out alongside me as I worked. Capillary slippersmade from a technical fabric used in green infrastructureconduct water across their surface using the physics of passive, capillary action. Working by day as a designer, I have found myself longing to exhibit, test and share capillary fabric with a wider audience, since it’s usually hidden from view in stormwater management features. This ingenious material mimics how the cambium layer in a tree allows it to passively “drink” water up to the canopy from the soil. On the night of their debut at the Schuylkill Center’s Enchanted Forest Fundraiser, slipper-wearers standing in different kinds of damp material were able to experience the same rate of water movement (creeping sogginess) that trees do when they draw water up their trunks.

Capillary fabric is also a core component of the aforementioned sculptural trio I’m presently working on, called Synestates. As a group, these sculptures pursue questions about materials and the environment: Can conventional building materials extend habitat? Can green infrastructure become a meeting place for humans and other organisms? Can construction byproducts become part of a myth? The first sculpture, called pvines, was completed during my time in Wet Lab. It consists of an installation of steel chains that are attached to the ground and to low branches of two invasive Amur Cork trees. A thin strip of capillary fabric winds up the length of chain, accented by stars made from drinking straws and zip ties. Virginia creeper, a vine native to this area, is planted at the base of each chain. This sculpture seeks to determine whether a rain chain can be combined with capillary fabric to confer growing advantages to a climbing, suckering vine. As my first sculpture initiated its slow experiment, I found myself engaged in a flurry of tasks: cutting, prepping and chatting inside and measuring, rigging and learning about the site conditions outside.

Here are some of the lessons I brought home from my month at WetLab:

1) measure twice cut once (even though you still might waste some material)

2) nothing in nature is square or plumb

3) both optimistic over-design and stoic editing are important to the outcome

4) don’t force yourself to do anything you wouldn’t ask of a helper, and vice versa (climb too high)

5) if possible do some of your prep work in good company of friends and other creators

6) if you’re looking for participation from people you don’t know, those strangers will decide the pace, style and outcome of their participation, and (if even a few people engage) it will be far better than if you did it alone

7) brilliant artists are everywhere, sometimes incognito in other roles!

 

 

Kate Farquhar is a Philadelphia based artist and landscape architect, whose work combines her artistic interests with her apprenticeship in cutting edge green infrastructure. Her process occupies the space where habitat, green infrastructure and myth overlap. Currently, she collaborates with the interdisciplinary studio at Roofmeadow, designing green infrastructure and places for people.

Wet Lab is the current project in the Schuylkill Center’s gallery, on view until August 18, and is a space for artists and Schuylkill Center visitors to explore and reflect on water in a dynamic environment.  Over the course of the summer, twenty artists are responding to water in a variety of media, and presenting their work and process in our gallery for two to three week periods. Artists display completed works along with works in progress, at times using the gallery as their studio to work through a new idea or test creative hypotheses. Artist Carolyn Hesse participated in Wet Lab for three weeks in June and July, and reflects on her experience in this post.

 

LANDLAB

LandLab is a unique artist residency program that operates on multiple platforms: artistic creation, ecological restoration and education. A joint project of the Schuylkill Center for Environmental Education and the Center for Emerging Visual Artists (CFEVA), LandLab offers resources and space on our 340-acre wooded property for visual artists to engage audiences in the processes of ecological stewardship through scientific investigation and artistic creation.

The Art of Wood Bending

By Carolyn Hesse

Carolyn Hesse is a resident artist part of our summer gallery, Wet Lab, a space for artists and Schuylkill Center visitors to explore and reflect on water in a dynamic environment.

 

For most artists, success is predicated on having enough time to work creatively.

This is true for me as well. Having time to make mistakes—and grow from them—is what drives every endeavor and can be what makes or breaks the spirit. So, to be given the gift of time at the Schuylkill Center was like a jewel that emits light at every angle; a non-objective based chunk of creative time immersed in a woodland setting. Wet Lab was consciously, and generously, set up as an open-ended concept. As result, it became a breath of fresh air in my artistic practice.

I used the time to make pieces for a current body of work that deals with wave and water imagery, titled: (i kept your sea ( i kept it safe)).  Springhouse Pond is down the hill behind the Discovery Center and I used it to soak strips of cedar of different lengths and widths for different amounts of time. I then brought the wood up to the gallery to bend and clamp them around forms where they would dry into the curves of those forms. Or break.

 

Either way, the experience was useful. These are some images of my process.

 

 

If you enjoy them, feel free to check on my website (carolynhessestudio.com) in the near future to see what they become after they’ve been cleaned up, sanded down, and incorporated into new sculptural pieces. My gratitude and appreciation for everyone I came into contact with at SCEE couldn’t be more heartfelt, thank you!

About the Author

Carolyn Hesse is one of our Wet Lab artists whose work is influenced by her time spent working for a wooden boat builder for 11 years. Her work is influenced by traditional wooden boat building techniques and she likes to engage in the idea of suspension, in the literal spatial, chemical sense, and the ephemeral sense related to time. Her pieces explore these concepts through visual repetition as well as reference to the straight line and the horizon. More recently she has been creating pieces that are less formal and more narrative.

 

Wet Lab is the current project in the Schuylkill Center’s gallery, on view until August 18, and is a space for artists and Schuylkill Center visitors to explore and reflect on water in a dynamic environment.  Over the course of the summer, twenty artists are responding to water in a variety of media, and presenting their work and process in our gallery for two to three week periods. Artists display completed works along with works in progress, at times using the gallery as their studio to work through a new idea or test creative hypotheses. Artist Carolyn Hesse participated in Wet Lab for three weeks in June and July, and reflects on her experience in this post.

Thinking Like A Butterfly

By Mike Weilbacher

It’s high summer, which brings with it erratic weather patterns, fierce storms, rising tides, raging stormwater pouring through our communities, and other climate change concerns. As someone who worries about climate change, I have stumbled upon a powerful way to change the world.

We need to think like butterflies.

Consider the butterfly–born as a humble, often ugly caterpillar. A living weed-whacker, caterpillars plow through living plants, mercilessly devouring leaves, hell-bent on defoliation. Tent caterpillars ravage the Schuylkill Center’s cherry trees every spring; gypsy moths ravage whole landscapes. Last year, I planted a stand of dill to attract black swallowtail caterpillars, since that’s one of its host plants. The plan worked: the dill raised about 15 caterpillars, but was a skeleton when the caterpillars were done. Not one living leaf remained.

The caterpillars crawled away, hung upside down, and transformed into chrysalises–their body parts magically melting inside their shells to rearrange as completely different body parts. And a wickedly different creature emerged, the adult.

 


2018_Butterfly Count

 Monarch butterflies are exquisite botanists, the females laying their eggs only on members of the milkweed family. Caterpillars ingest the leaves, using toxic chemicals in the leaf’s milk to make them taste terrible—their protection from predatory birds.  

 

While the caterpillar devoured everything, the butterfly has no mouthparts whatsoever for eating solid food. As if making penance for the sins of its youth, a butterfly drinks its world, using its coiled straw of a mouth to sip nectar. When the butterfly flits from flower to flower, it pollinates each in turn, allowing it to make seeds. That’s the key: while the caterpillar takes from the world the resources it needs for survival, the butterfly gives back, turning flowers into seeds that grow the next generation of flowers. Caterpillars devour, but butterflies pollinate.

And they don’t just pollinate the zinnias in your backyard. They pollinate the native plants that sustain entire ecosystems; there would be no milkweeds without the pollinating work of butterflies. More importantly, pollinating insects like bees and butterflies enable so many flower trees to make fruit. Oranges, cherries, grapefruit, grapes (and therefore raisins and wine), apples, lemons, limes: all are produced by pollinating insects like butterflies.

For millennia, humans have been caterpillars, taking from the world the stuff we need to live: food to eat, water to drink, lumber to build homes, coal and oil to power our lives. Living on a finite planet on limited resources, we’re running out of stuff to devour. For us to live sustainably, it’s time we grew up. Metamorphosed. Transformed into butterflies, giving back to the resources that sustain us, metaphorically pollinating the world and making seeds.

Thinking like a butterfly means conserving water, switching to renewables, buying electric cars, radically recycling everything, growing our own organic food, protecting biological diversity, cooling the climate, consuming less stuff, ceasing suburban sprawl across whole landscapes, and so on.

Protecting biological diversity means inviting your nonhuman neighbors into your yard: growing milkweed plants to nurture populations of monarch butterflies, installing bat boxes to support troubled bat populations, keeping your cat inside so it doesn’t kill birds, planting native plants everywhere you can, and more.

Thinking like a butterfly also means getting to know butterflies. They are remarkable, delightfully colorful creatures, extraordinarily adapted—and vanishing. We’ve got a butterfly event happening soon at the Schuylkill Center—come help us count them. And we’ll continue the conversation about thinking like a butterfly.  

 

Annual Butterfly Count

Thursday, July 5, 1 pm, $3/person

Help our staff count the butterflies in our forests and meadows in an annual effort orchestrated by the North American Butterfly Association. To register, call 215-482-7300 ext. 110 or email scee@schuylkillcenter.org.

Family Camping

While spending time in nature helps us to unplug and rejuvenate, finding the time to do so while surrounded by the hustle and bustle of the city can often be a challenge. If you’re looking to get away, there are great spots around Philadelphia to relax and refresh with the family. In addition to checking out these great spots, make sure to join us June 23–24 for the 14th annual Great American Backyard Campout, which is held in collaboration with the National Wildlife Federation. Spend the night under the stars, hike through the forest, and tell stories around the campfire… all while within city limits. Call 215-482-7300 x 137 to register. Check out these amazing spots within a short drive of city limits.

French Creek State Park (1 hour 10 minutes)
Located in Berks and Chester counties, French Creek State Park is the largest block of continuous forest located between New York City and Washington, D.C. Its options for sleeping arrangementseverything from cabins to cottages to yurts to traditional tentsmake it a great spot for both experienced and beginning campers alike.

Ricketts Glen State Park (2 hours 30 minutes)

Ricketts Glen is home to the Glens Natural Areaa National Natural Landmark. The park has 26 miles of trails. The most popular is the Falls Trail (a 7.2 mile loop), where visitors can view 21 waterfalls. There are shorter trail options with waterfall vistas as well.

Cape Henlopen State Park (2 hours 15 minutes)

Cape Henlopen offers a variety of recreational options. Climb to the top of the World War II observation tower, take the Seaside or Pinelands nature trails to explore coastal habitats, enjoy a game of disc golf, or spend the day relaxing on the beach.

Wharton State Forest (45 minutes)
Nestled within the Pine Barrens, the Atsion Recreation Area is at the heart of the forest. Named after the Atsion Mansion, the recreation area is situated on a 100-acre lake perfect for kayaking and canoeing.